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Tanjore Art

Wednesday, September 23rd, 2009 | Author:

India is known for its art and culture. Every corner of India is popular for its unusual form of art. Tanjore Painting is one of the most prominent types of traditional South Indian paintings. It is the indigenous art form of Thanjavur (also known as Tanjore) city of Tamil Nadu. The intense composition, exterior richness and vivacious shades of Indian Thanjavur Paintings differentiate them from the other kinds of paintings. Then, there are accompaniments of precious stones, pearls and glass pieces that supplement and add to their charm. The relief work gives them a three dimensional appearance which is more popularly known as the 3D effect. Tanjore Painting of India was derived in the 16th century, in the sovereignty of the Cholas.

A majority of these paintings rotate around the subject of Hindu Gods and Goddesses, along with saints. The chief figure is always painted at the center of the painting. These paintings are also locally called Palagai Padam where palagai means wooden plank and padam means picture as they paintings are mostly done on solid wood boards.

Tanjore paintings involve a couple of intricate steps. The first step includes the sketching of the introduction sketch of the image on the base. This base is prepared from a cloth, which is glued over a wooden stand. The next step involves the mixing of chalk powder or zinc oxide with water-soluble adhesive and applying it on the base. Thereafter, the drawing is made and ornamented with cut glass, pearls as well as semi-precious stones. Besides, colorful and attractive laces or threads are also used to embellish the painting. To further enhance the outcome, wafer thin sheets of gold are glued on a few portions of the painting, whereas the other portions are painted in vivid colors.

There are a huge number of people who still take interest in learning this form of art adding their contemporary touch to it.

Patachitra Art

Sunday, September 06th, 2009 | Author:

The root of the Patachitra paintings was in the 8th century AD and it is regarded as one of the earliest forms of home-grown paintings. This symbolic form of folk significance is exclusive in the history of Indian and European paintings. The unlikely illustrative ideas, the peculiar conventions, the astonishing arrangement of line patterns and vivacious application of colors make this art form stupendous.

The foundation and growth of Patachitra paintings are associated with the Jagannath Cult. The devotional art of Patachitras is limited to the community of painters called the Chitrakars. The chitrakars reside and perform their inherited art in Puri and in villages on its borders, Raghurajpur and Dandshahi. Every Chitrakar family possesses a family sketchbook handed down from their ancestors. Gods and Goddesses, legends and animals, are all portrayed in these sketchbooks. These books are the chitrakars’ most precious belongings.

The process of arranging the canvas (Pata) is time-consuming, generally taking at least five days. It includes the preparation of a tamarind seed paste, which is mixed with water in a mud pot and focused to additional action. It is called the ‘Niryas Kalpa’. The chitrakar then chooses two pieces of cloth and attaches them together with this paste. Clay powder is then added to the combination and two or three coatings of this blend is applied on to the organized canvas on both the surfaces. When the canvas is dry, it is polished, a process that takes quite a few hours. Painting can begin only when it’s dry.

Patachitras are usually painted in a regular series of steps. The present practice is to put a thick coat of varnish with a cloth. Once the varnish dries, the Patachitra is trimmed down to the attractive margin. The standard painting is finished in a week. But there are complex ones that take maybe even a month.