Archive for the Category » Indian art and Hindu Philosophy «

Bell Metal craft

Sunday, July 12th, 2009 | Author:

Art aficionados must have heard of Bell metal craft.  It is hugely popular amongst the art lovers all across India. One of the beautiful heritages of amazing Indian art, bell metals are known for their design and lost patterns. Some of the designs will simply take your breath away. Bell metals are in existence since centuries. It is basically an alloy that has been repeatedly used for carving artistic products. Bell metal craft often symbolizes pure beauty of tribal art. According to many opinions, it resembles bronze in some aspects. These materials are molded artistically and the final result manifests itself in form of distinguished form of art.

 

Bell craft is popular in many parts of the country like Assam, Bihar and West Bengal. However, Kerala is credited with the origin of this precious art. It has numerous usages, both for aesthetic as well as utility purposes. Objects like home furnishing materials, ornaments, utensils etc have been made using this metal. Many tribal deities have been shaped using bell metal craft. Many designs in different size and shape have been carved in bell metal craft. Raw materials required for bell metal handcrafted items are rice bran, charcoal, clay, jute fibers and lac etc. 

 

There is a process called lost wax using which bell metal crafts are manufactured. This is a very ancient method but still widely used. Some of the artifacts of Bell metal are very popular across the world. Always in demand, these artifacts never go out of fashion. Some of the prominent ones are Bells, Lanterns, Boxes, Lamps, Bottle openers, Lamp Shades, Musical instruments, Tribal figurines and Tribal Animals. Considering the popularity of bell metal craft and new found interest in it, this craft is sure to flourish.

Jahar Dasgupta

Saturday, July 11th, 2009 | Author:

Jahar Dasgupta is a renowned name in the field of Indian art. He was born in 1942 in Jamshedpur, Bihar. He learnt art at Shantiniketan under legends like Ramkinkar Baiz and Benode Bihari Mukherjee. He got his diploma in painting in 1964. Soon after that he organized his solo workshop at Birla Academy, Kolkata. That was where his career started to boost.

Jahar Dasgupta uses subtle but bright shades in his paintings. He recreates the barriers between traditional and contemporary art. Women and nature are a vital part of his paintings. He gives immense importance to these two subjects. Jahar Dasgupta has displayed his work in many solo as well as group exhibitions. He is one of the founder members of Painters’ Orchestra.

His paintings have been featured in various forms of media, like the Bengali magazine Shatak Ekush and the documentary film Bornomoy Jahar, directed by Sandeep Ray. In the Silver Jubilee Painters’s Orchestra, a book called “Poem on paintings” was released, which had a poem on Jahar Dasgupta’s work, and was written by Shakti Chatterjee.

Jahar Dasgupta is the president of the academy of fine arts, Kolkata and a founder member of Sijuti Art Gallery. His solo shows were displayed at Chitrakoot Art Gallery, Lalit Kala Academy, Academy of Fine Arts, Gallery Honsmania in Norway and Club Bangladesh in Sweden. He also participated in a number of group exhibitions like Nehru Centre in London, Salon Exposition in South Korea, Indian Habitat Centre in New Delhi, Academy of Fine Arts in Kolkata, Jahangir Art Gallery in Mumbai, etc.

Even today, his artworks are exhibited internationally in countries like U.S.A., U.K., Spain, Norway, France, Korea and Muscat. Jahar Dasgupta has received recognition and appreciation for excellence in art, and has achieved admiration and pride for our nation on a global level.

Investing in Indian art

Thursday, July 09th, 2009 | Author:

Art lovers have an innate passion for art works. If you wish to invest in art or merchandise in the same a certain capital has to be scheduled. There are many art students who work as apprentice and in this field caliber is a primary ingredient. Each day new artists are exposing themselves to new fields of learning, mediums and colors. Locating a chief culture of art is also the main thing about this business.

 

One needs to have a considerable space to house the pieces of art and storing is essential to avoid any kind of harm or erosion in the art works. Technology and modernity has made it possible to restore works of art and this can be also looked into a branched business. Investing in art means having a keen sense of concept and understanding of varied art forms.

 

Books and literature is certainly available on the art forms in the ethnic and recent types. There is a lot of essential things to know about the original and metamorphosis of Indian art. Many art forms are also in their stage of extinction. Investing in art for self is another passion though many times this becomes a unique casing. Art lovers also have a specification for the love of art.

 

People can choose paintings for their living room as aura ones, the fire and ice concept or great ones in Warli art or Madhubani ones. The canvas paintings or portrait in singular frames look elegant on a hallway. Kid’s room paintings can also be looked at great gifts and vibrancy is a necessary ingredient and can also be related to caricature.

 

New age paintings are also showcased adjacently with traditional ones and this is a great relief that helps the investor to choose among the minimal choices. The investor must be clear about the color and medium and also can have a liaison with the artist to customize rare paintings. Knowledge improves with interaction and exposure and investing in art is a fervor for many investors.

Tyeb Mehta – Achievements

Wednesday, July 08th, 2009 | Author:

Tyeb Mehta was born in Gujarat on 26th July, 1925. He started his career as a film editor. However he was interested in art and painting and therefore he joined Sir JJ School of Art in Mumbai in 1947. He studied painting there for 5 years.

Tyeb Mehta took part in a number of group exhibitions. He structured his first ever solo display exhibition of his paintings and sculptures in 1959 at the Jehangir Art Gallery in Mumbai. He also participated in numerous worldwide shows like Ten Contemporary Indian Painter in the U.S. in 1965, Deuxieme Biennial Internationale de Menton in 1974, Festival Internationale de la Peinture, Cagnes – Sur – Mer, in 1974 in France. Modem Indian Paintings in 1982 at Hirschhom Museum in Washington and Seven Indian Painters at Gallerie Le Monde de U art in 1994 in Paris.
Tyeb Mehta’s works have also been displayed in the Museum of Modern Art at the Oxford, England and the Hirshhorn Museum.

Tyeb Mehta holds the record for the highest price an Indian painting has ever been auctioned for. His works were the first ever to be sold for over a million dollars. This also signified a rapid growing interest by the global market in Indian art.

Tyeb Mehta was felicitated with various awards and honors. He received the Rockefeller Fellowship in 1968, on which he visited the U.S. He also received the Kalidas Samman from the Madhya Pradesh Government in 1988. Recently, he was awarded the Dayawati Modi Foundation Award for Art, Culture and Education in 2005 and the Padma Bhushan in 2007.

Tyeb Mehta’s implausible works of art over more than six decades has instituted him as one of the greatest personality of contemporary Indian art. He lived in Mumbai with his wife Sakina and his two children. He died on 2nd July, 2009 following a heart attack.

Kalighat Painting

Tuesday, July 07th, 2009 | Author:

Kalighat painting is a relatively less known painting tradition. Originated in Kalighat, Kolkata, it’s a beautiful form of classic paintings. Its inception is credited to cultural upheavals of nineteenth century colonial Bengal. Many scroll painters and potters who had settled around Kalighat temple after migrating from rural Bengal, contributed heavily to this form of painting. The artists developed their own style of painting and themes that later came to be known as Kalighat painting. The modus operandi was to use watercolors and consequently painting on economical mill papers. Calf and squirrel hair were used to make brushes whereas to create transparent tones, low priced color pigments were applied. This was a relatively new thing as earlier Indian tempera was in vogue.

 

The most appealing part of Kalighat painting was wonderful gestures, flawless rhythmic strokes and quality brushwork. Technique is quite simple but the final outcome is extremely attractive and bold. Kalighat paintings got quite a lot of popularity because of its strong social themes and consciousness. It expressed subaltern sentiment and for that it becomes so unique. Its origin has definitely a religious undertone and inspiration. The initial themes were taken from Hindu mythology including deities. With the passage of time, social themes took center stage. Humor was also a necessary ingredient of the themes, however it was grim.

 

The most used themes were of loose women and Bengali ‘Babus’ and their decrepit culture. Kalighat paintings depicted altering lifestyles and changing societal landscapes. It’s definitely a legacy that deserves to be preserved. These paintings started to get their due attention and recognition in the twentieth century. Its surely a brilliantly inventive aesthetic movement and has also started to get international attention.

Pahari Paintings

Saturday, July 04th, 2009 | Author:

pahariOne of the rich but relatively less known traditions of Indian paintings is Pahari Paintings. As the name suggests the paintings are from the hills of India. The credit of this rich tradition goes to Rajput kings of Himachal Pradesh. The kings were known for their great taste of art and culture. They patronized the tradition of Pahari paintings during 17th to the 19th century. The beauty of this Northern state greatly inspired the artists to create mesmerizing pieces of art. Generally, the backdrop of these paintings is breathtaking landscapes of the mountain ranges. Pahari paintings are mostly in miniature style.

 

One interesting aspect of Pahari painting is sort of modification or evolution it has undergone in last few centuries. Three distinct schools of Basohli, Guler-Kangra and Sikh have clearly defined this wonderful tradition. If we talk individually about these schools then Basohli School refers to early stage of Pahari painting. It started in 17th century and it has some unique characteristics. The most distinct characteristics is usage of bright colors like red, brown, green and yellow in the background of art works. Mythological characters were the primary themes of this school.

 

Guler-Kangra School had its time during 18th century. This school lots of change in Basholi style. As the name suggests, this style got developed in Guler and Kangra area and boasted of particular traits. Guler-Kangra style was more subtle in nature and had more of a lyrical nature. Delicate and fresher hues gave a distinct feel to Pahari paintings. This was followed by Sikh school which incidentally was the last developmental phase in Pahari painting. Though, it did not last long because of its raw theme.

Abanindranath Tagore

Thursday, July 02nd, 2009 | Author:

Abanindranath Tagore, son of Gunendranath Tagore was born in Calcutta on 7th August, 1871. He contributed to the revitalization of traditional Indian art and discarded the materialistic practices of the west. He supported the Swadeshi values in Indian art. Besides being a renowned artist, Abanindranath Tagore is also known for his writings, especially for children.

Abanindranath started his training under the supervision of Signor Gillhardi, his tutor and a renowned Italian artist. Soon after that he attended the studio of an English painter, Mr. Charles Palmer and achieved expertise in portrait and oil painting. His interest in watercolors was truly outstanding. E.B.Havell, Principal, Calcutta School of Art, on seeing Abanindranath’s paintings was overwhelmed. He asked Abanindranath to join them as the Vice-principal of the School. Under
the supervision of Havell, Abanindranath learnt the Mughal and Rajput techniques of painting comprehensively. He also assisted Havell in the rekindling of the teaching styles at the school.

Abanindranath was introduced to the Japanese style of art by Okakura, a distinguished artist. He was influenced by their style and traditions and he started incorporating the calligraphic trends into his works. The Indian Society of Oriental Art was set up to promote the Abanindranath-style on the national level. Abanindranath steered the modem art movement in Bengal. He convinced the world that the Indian artists had their own bit to give in to the world of art. Some of his most popular paintings include Nights, Krishnalila, Lovelorn Yaksha and Devadasi. His works have been displayed in exhibitions internationally, at Paris, London and Tokyo.

In 1889, Abanindranath tied the knot with Suhasini Devi. Abanindranath Tagore was the nephew of Rabindranath Tagore. In his later years, Abanindranath took up sculpturing, on branches of trees and other trashes which were given the title of ‘kutam-katam’ by him. Abanindranath Tagore expired on 5th December, 1951.

Murals

Monday, June 29th, 2009 | Author:

India has a rich tradition of arts and culture since ancient times. Painting has been in existence since the advent of Indian civilization. Murals belong to the tradition of paintings. The history of murals goes beyond the pages of history. Many experts reckon murals as earliest evidence of Indian paintings. Painting has been accorded the respectful position in several Indian classical texts like Vishnudharmottarapurana and Kamasutra. Many ancient rulers had maintained pictorial depiction of different themes in their backyards. Painting is nothing but medium of expression. It expresses emotions and deepest instinct felt by the artists. These feelings were later on merged with his cultural heritage and social experiences.

 

The origin of paintings is dated back to pre-historic era when rock wall paintings or cave paintings were in vogue. Also known as murals, they were discovered in central India. Natural materials like animal fat, red ochre, terra verte and chalk were used for color materials. The art works were done on bare rocks or grounds. Themes were often taken from family, community, hunting, festivals or animals. Such themes also give us a clue about how observing the pre-historic men were!

 

Several prestigious and historical treatises like Silpashastra, Shilparatna, Kashyapashilpa, Vishnudharmottara etc give detailed description of murals. The details also include preparation method and colors of the murals. Techniques have also been in given in these texts but were not followed in strict sense. Artists developed their own sense of creation and added new life to these historical murals. Different eras in Indian history like Mughal rule, Cholas kingdom, North-east region etc have been found with art that has been inspired of rich variety of murals.

Indian Cave Paintings

Thursday, June 25th, 2009 | Author:

Last century witnessed lots of discoveries of cave paintings in India. In fact, this is not just an Indian phenomenon. Several countries have discovered cave paintings of pre-historic age. The tide turned in India in the year 1958 when Dr Wakankar discovered oldest Indian cave paintings at Bhimbetka caves in Madhya Pradesh. That was surely an archeological marvel that led to many more discoveries. The one found at Bhimbetka were as old as 20,000 years. Mostly primitive in nature, the cave paintings gave a certain indication of the time when Homo sapiens used in live in caves and were discovering the world.

 

This discovery was also significant in the light of the fact that we have no other records of our pre-historic ancestors. There are no written or oral records except these cave paintings. The discovery led to several other discoveries across the India. We also came to know a great deal about our ancestors. Places like Ajanta, Bagh, Ellora and Chhattisgarh have been found with historical cave paintings. Over 600 caves with paintings were found in Bhimabetka. The name Bhimabetka got its name from Bhima, one of the Pandava brothers.

 

The cave paintings of Bhimabetka clearly show usage of red and white color along with occasional green and yellow. Animal fat, vegetable dyes, colored earth and charcoal were used in paintings whereas brushes were made up of fibrous plants. The most surprising part was these paintings were still intact. Themes have been selected from everyday life like, hunting. Images of animals like elephants, tigers and wild boar etc can be seen in these cave paintings. Other themes include household occasions, dance and festivals. These cave paintings belong to seven different historical periods like upper Paleolithic, Mesolithic, Chaleolithic, Early historic and Medieval.

Amitabha Thangka

Wednesday, June 24th, 2009 | Author:

amitabh_close3Thangka paintings are inspired by Buddhist philosophies. These art works are basically fused three dimensional in nature. Tibetan Buddhists accord extreme importance to Thangka paintings. Art works are considered as more of religious objects and one can see them hanging on Buddhist monasteries. Thangka paintings are often used in Buddhist religious processions. Before proceeding further, let’s have some information about the term ‘Amitabh’. According to Buddhist religion, Amitabha Buddha is the “Buddha of Infinite Light” and Thangka paintings represent him seated in ‘Sukhavati’, his celestial paradise. Sukhavati is also known as realm of bliss. The term ‘Amitabha Thangkas’ has spiritual connotations. It signifies physical illustration of the metamorphosis of worldly requirements into all encircling incandescent consciousness. The paintings show Amitabh Buddha in a position where he has his hands in a meditation position and holding a begging bowl. The bowl signifies receptivity and infinite openness.

 

Thangka comes from the Tibetan word Thang that means a flat surface. Add ‘ka’ to it and it becomes a painting ovn a flat surface. Mostly done on flat surfaces, Thangka paintings can also be rolled up like scroll paintings. However, scrolling is done only when the art works are not being displayed.  Structurally, Thangka has a mounting embellished with a silk cover, leather corners, embroidered picture panel and wooden decorative knobs.  These Thangka are made in Buddhist dominated areas like Dharmashala in Himachal Pradesh. This place is dominated by Buddhist monks and amazing Thangka can be seen over there.

 

Many religious art forms do not follow any artistic intent. They are more guided by religious beliefs. Similarly with Thangka paintings, Buddhist philosophy is the prime theme. These paintings depict contemplative experience of monks. Probably, because of its highly religious nature, they have remained secluded from mainstream of art.