The state of Punjab has a significant place in the history of India. It is not only a happening place but also totally vibrant and bubbling with energy. Punjab is known for Sikh temples, lush green farms, Maake di roti and Bhangra. The folk music of Punjab is very popular and now it has also acquired international fame. Punjabi dance and song are popular all over the country and have been made even more happening by the Indian residents living abroad. Not many pople know, Punjab is also considered very rich for its craft forms. One form of art that has been in existence since ages in Punjab is Phulkari art. It is primarily a handiwork of the female folks of Punjab. The literal meaning of phulkari is flowering. In this craft, embroidery of the flowering patterns on dupattas, shawls and other garments are performed.
The evolution of this art occurred because of enthusiasm shown by the women. Men used to work outdoors and women stated to develop this craft in the sixteenth century. It was quite amateur during the initial era but by the end of 19th century, it became a developed craft. The Phulkari designs make clothes very beautiful and appealing. When the designer stitches are made on clothes, the prepared piece is called Bagh. Silk yarn that is also called as pat is used as thread.
Several colors like golden, yellow, crimson, orange, green, blue and pink etc are used in Phulkari. Design options are plenty. From geometrical designs to natural patterns, one can witness plethora of wonderful designs. Figures of flowers, leaves, birds, animals and humans can also be seen in this art form. Phulkari designs have religious significance as well.

Thangka paintings are inspired by Buddhist philosophies. These art works are basically fused three dimensional in nature. Tibetan Buddhists accord extreme importance to Thangka paintings. Art works are considered as more of religious objects and one can see them hanging on Buddhist monasteries. Thangka paintings are often used in Buddhist religious processions. Before proceeding further, let’s have some information about the term ‘Amitabh’. According to Buddhist religion, Amitabha Buddha is the “Buddha of Infinite Light” and Thangka paintings represent him seated in ‘Sukhavati’, his celestial paradise. Sukhavati is also known as realm of bliss. The term ‘Amitabha Thangkas’ has spiritual connotations. It signifies physical illustration of the metamorphosis of worldly requirements into all encircling incandescent consciousness. The paintings show Amitabh Buddha in a position where he has his hands in a meditation position and holding a begging bowl. The bowl signifies receptivity and infinite openness.